Download e-book for kindle: After the Irish Renaissance: A Critical History of the Irish by Robert Hogan

By Robert Hogan

ISBN-10: 0816668817

ISBN-13: 9780816668816

After the Irish Renaissance used to be first released in 1967.This account of latest Irish drama presents serious introductions to a few thirty or 40 playwrights who've labored in eire for the reason that 1926, the yr Sean O’Casey left eire following a riotous protest opposed to his play The Plough and the celebrities. The date is looked by means of many as marking the tip of the Irish Renaissance, the bright literary flowering which all started with the founding of the Irish Literary Theatre in 1898 through W. B. Yeats, George Moore, and Edward Martyn.Although a lot has been written in regards to the writers of the Irish Renaissance and their paintings, lots of the performs and playwrights of the fashionable Irish theatre are fairly vague outdoor eire. This booklet introduces their paintings to a broader audience.Among the writers mentioned, as well as O’Casey and Yeats, are Lennox Robinson, T. C. Murray, Brinsley MacNamara, George Shiels, Louis D’Alton, Paul Vincent Carroll, Denis Johnston, Mary Manning, Micheál Mae Liammóir, Michael Molloy, Walter Macken, Seamus Byrne, John O’Donovan, Bryan MacMahon, woman Longford, Brendan Behan, Hugh Leonard, James Douglas, John B. Keane, Brian Friel, Tom Coffey, Seamus de Burca, Conor Farrington, G. P. Gallivan, Austin Clarke, Padraie Fallon, Donagh MacDonagh, Joseph Tomelty, and Sam Thompson. the writer additionally discusses the Abbey Theatre’s contemporary background, the Gate Theatre, Longford Productions, the theatre in Ulster, and the Dublin foreign Theatre competition, and gives a whole bibliography of performs and feedback. The ebook is generously illustrated with photographs.

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Additional info for After the Irish Renaissance: A Critical History of the Irish Drama since The Plough and The Stars

Sample text

Some, under the leadership of Arthur Sinclair, formed a successful touring company. In September, a new manager, J. Augustus Keogh, was brought in to form a new company. In the meantime, Ervine's own interests turned away from Ireland. He fought in the war and lost a leg. He became an important drama critic for The Observer, and later spent a year as an astringent guest critic on a New York paper. His John Ferguson and Jane Clegg were the financial saving of the New York Theatre Guild. In more recent years he has written a number of comedies for the British stage somewhat in the style of Somerset Maugham.

His plots were moderately complicated, but clearly worked out. His humorous characters were more recognizable Irish types than Synge's. They were accurately, if not deeply observed; the comic politician of The Eloquent Dempsy, for example, is a twister who has not disappeared from Irish politics. Perhaps the key to Boyle's development might be suggested by the fact that his Jeremiah Dempsy became Arthur Sinclair's favorite role after that excellent actor had debased his talents in the pursuit of laughter.

By the 19405 the Abbey did chase out the redheaded, beady-eyed, flat-nosed, freckled and crafty gombeen dressed in a tight-fitting, short-sleeved and trousered suit of large checks and twirling a shillelagh; but, alas! 21 Although the civil servant was now on the board of directors, there were some efforts to stem the tide. O'Brien was shortly replaced by Walter Starkie, a Trinity College don and author of, among many other things, a good book on Pirandello. In 1935, the board was further strengthened by the addition of F.

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After the Irish Renaissance: A Critical History of the Irish Drama since The Plough and The Stars by Robert Hogan


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