By Harold Bloom
-- Brings jointly the easiest feedback at the most generally learn poets, novelists, and playwrights -- offers complicated serious photographs of the main influential writers within the English-speaking international -- from the English medievalists to modern writers
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Additional resources for Arthur Miller (Bloom's Modern Critical Views)
The force exerted by the father-son relationship is only the dominant one in a field of forces, for a summary of the plot reveals Miller’s modernist subversion of various forms of authority operating in bourgeois American life. Frank Lubey, a minor character, represents the most easily satirized one, astrology.
In doing so, the Group questions both the self-containment of the work and the marginality of the spectator by urging the latter to make the kind of choices usually considered the province of the writer and/or performer. As a result, each piece can be no more than partially composed when it is presented to the public—not because it is unfinished but because it requires an audience to realize the multitude of possibilities on which it opens. As each spectator, according to his part, enters into a dialog with the work, the act of interpretation becomes a performance, an intervention in the piece.
It plans to open the work at the Performing Garage in February with a new title since it will, perforce, be a different piece. In the aftermath of what has been a highly publicized dispute, LeCompte accepts the most recent turn of events as being “an inevitable outcome of our working process,” that is, yet another strategic moment in the Group’s ongoing confrontation with various authorities and institutions. She realizes that this process of questioning assumptions and beliefs sometimes necessitates trespassing upon cultural properties.
Arthur Miller (Bloom's Modern Critical Views) by Harold Bloom