L. a. ville de Thèbes est ravagée par los angeles peste. Son souverain, Oedipe, mène l'enquête. Il découvre que l'homme qu'il a tué jadis, Laïos, était son père, et qu'il a épousé sa propre mère, Jocaste, dont il a ecu quatre enfants. Elle se suicide, il se crève les yeux et s'exile. Une des plus belles tragédies de l'Histoire, modèle de l'enquête policière et de son suspens, de l. a. peinture de l. a. destruction de soi, et des kin problems qui tissent les liens familiaux, grande interrogation jetée au destin, cette pièce est à l'origine de nombreuses imitations (jusqu'à Gide et Cocteau) et de nombreux commentaires (jusqu'à Freud ou Jean-Pierre Vernant). «O lumière c'est los angeles dernière fois que je te vois, je suis né de qui je ne devais pas, je suis uni à qui je ne dois pas, j'ai tué qui je n'aurais pas dû.» Oedipe roi, IIIe épisode.
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Extra resources for Œdipe roi
Contredanse or Contradance is also the music written for such a dance, in 2-4 or 6-8 time. It originated from the English Country Dance, which has two forms: the circle where men and women alternate, and the double file where they face each other. Both the dances were imported to Goa and therefore influenced the Mando’s movements. While dancing the Mando, the men’s attire comprises of formal Western dress while the women 33 wear the Toddop-bazu, which preserves the basic features of the traditional Indian dress but was imported from Malacca and Macau.
His attempts brought back respectability to Konkani entertainment in Bombay. In fact, handbills for João Agostinho Fernandes’s later 18 dramas credited both of them with bringing about the end of zagors in Bombay. Folk art forms of Christians in Goa Zagor, Khell, Mussallam Phell, Mell Zagors continue to be performed in Goa, more by the Hindus than by the Christians. The most prominent Christian zagor is the one organised at Siolim. The other place, which keeps up the tradition, is Calangute where the zagor is held during Easter.
43 3 Teatro, Theatro, Tiatro, Tiatr Khells and Zagors in Bombay T EATRO,1 both in Portuguese and Italian, means theatre and can also be used for drama although drama and dramma are the two specific words in the respective languages. The term teatro has been in use in Goa ever since dramatic performances were held in Goa with the advent of the Portuguese. While the initial religious plays including Passion Plays in the early sixteenth century were in Latin as well as in vernacular languages2 , there were also theatrical performances in other European languages – Portuguese, Spanish and French – from the seventeenth to the nineteenth century.
Œdipe roi by Sophocles