By Harold Bloom (Editor)
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Extra info for Maya Angelou (Bloom's Modern Critical Views), New Edition
When they leave and Momma politely calls good-bye to them, Maya’s rage peaks: I burst. A firecracker July-the-Fourth burst. How could Momma call them Miz? The mean nasty things. Why couldn’t she have come inside the sweet, cool store when we saw them breasting the hill? What did she prove? And then if they were dirty, mean and impudent, why did Momma have to call them Miz? (26) But once the girls leave, young Maya realizes that her grandmother has achieved something: “Something had happened out there, which I couldn’t completely understand .
Tompkins, Jane P. Sensational Designs: The Cultural Work of American Fiction, 1790–1860. New York: Oxford University Press, 1985. Wright, Richard. Black Boy (American Hunger). Later Works: Black Boy (American Hunger); The Outsider. New York: Library of America, 1991. C lara J u ncker & E dward S anford Only Necessary Baggage: Maya Angelou’s Life Journeys A ny academic familiar with the conference circuit will know the importance of traveling light. The thing to remember is not to overextend credit cards and suitcases with books we may not read, suits we cannot wear, and liquor we will drink.
Ed. Estelle C. Jelinek. Bloomington: Indiana University Press, 1980. 180–205. Eagleton, Terry. Literary Theory: An Introduction. Minneapolis: University of Minnesota Press, 1983. , ed. Conversations with Maya Angelou. Jackson: University Press of Mississippi, 1989. Racial Protest, Identity, Words, and Form 35 Fish, Stanley. Is There a Text in This Class? The Authority of Interpretive Communities. Cambridge: Harvard University Press, 1980. Fox-Genovese, Elizabeth. ” The Private Self: Theory and Practice of Women’s Autobiographical Writings.
Maya Angelou (Bloom's Modern Critical Views), New Edition by Harold Bloom (Editor)